Evil heroes.

Fri, Jul 30 2010 07:02am IST 1
Babblefish
Babblefish
846 Posts
Hey guys. Not really sure if this is the right place to put this, more of a conversation starter than anything else, but how do you feel about Evil heroes?
I'm just starting a new story at the moment, where the protagonist is.... morally questionable, to put things lightly. I'm interested in what you think a hero can get away with before they stop being likeable, or even stop being a hero at all.
Are their any lines a hero can't afford to cross? Can you think of any heroes you've read about that fall into this category. (For anyone who's read it, I'd say Thomas Covenant would probably fall under this category from my point of view.)
Fri, Jul 30 2010 08:23am IST 2
Kiki
Kiki
106 Posts
Evil heroes make fabulous protagonists / main characters. The best ones, are those that don't even know that they are heroes until the finale! There are tons of fantasy characters that fall into this catagory, especially in vampire stories; Charlaine Harris's Eric the Vampire for instance from the Sookie Stackhouse collection.
You can make these characters do awful, sickening things and then show one small section of light & your reader loves them.
Look at Hannibal Lector in Silence of the Lambs; sick beyond belief but the fact that he warms to Clarice and helps her with the "Bill" case, makes you sort of glad he gets away in the end!!

You go for it! The best stories are the ones where the bad guy comes good (in a believable way of course).
Kiki :)
Fri, Jul 30 2010 08:53am IST 3
EmmaD
EmmaD
1801 Posts
For the reader to want to follow them through the novel compelling is an even more important characteristic of an MC than likeable (I see a lot of manuscripts with the opposite problem: the central character is perfectly nice - 'likeable' in that sense - but too passive and dull. It's not a coincidence that the Austen heroine who more people dislike than any other, and who's rarely filmed, is Fanny Price.).

I do think, though, that to be compelling there needs to be a reason to their awfulness. Not necessarily a pop-psychology terrible childhood, but certainly a logic to their actions: a way in which they do the extreme things we wouldn't dare to. Even psychopaths are logical - it's just not anyone else's logic. Like those fun/silly revenge stories one reads, or the glamorous baddy women in things like Dynasty - they act out all the things we'd love to do if we could let our hatreds or ambitions or vengefulness have full rein.
Fri, Jul 30 2010 10:35am IST 4
SM Worsey
SM Worsey
617 Posts
The advice I was given (cos one of my protaganists is a bit self-centred and a cad with women) is that if your hero has a dark side, they should either be fascinating and have an absorbing life history, or really good fun to read about.
Fri, Jul 30 2010 10:46am IST 5
Liss
Liss
384 Posts
I got to a point where I got bored of good guys and only wanted to be and write about the bad guys.

I don't know if there really is 'a line' that goodies cross into becoming bad, unless it's a turn in the plot, such as a betrayal or something. Bad and good tend to be archetypal characters, but it's so much fun to turn them around and give a little taste of the other side. Plus it depends on how you write the character, in whether we ever stop liking them. Bad characters can kill and such but you still love them (eg Gisbourne from Robin Hood, who by the way is part of my wall collage) and equally good characters can kill and you still love them (Jack Crowe in JCV's)

It is a very interesting topic idea, I will most probably have a google and then come back :) x
Fri, Jul 30 2010 03:28pm IST 6
Ancient Woodland
Ancient Woodland
577 Posts
Well, if you want to know what I think of evil heroes, have a look at this. It's an experiment I wrote ages ago that starts off with an anti-hero, an amoral biker who finally goes to far.

I found it a lot of fun to write, there are less restraints and more scope for insisdious remorse.
Fri, Jul 30 2010 05:57pm IST 7
Erebus
Erebus
46 Posts
I think the best characters are the bad ones. As for the lines they can cross I think this is just a matter of opinion. Look at Freddy Krueger. He was a child murderer yet is one of the greatest horror icons ever (Robert Englund, not the rubbish remake) This just goes to show that a character can do anything and as long as he/she has a few witty one-liners and a funny personality they can be brilliant.
Fri, Jul 30 2010 11:14pm IST 8
Babblefish
Babblefish
846 Posts
Oh good. Maybe I'll post up this insidious character up one day and you'll see what I'm talking about. Have to say, they are super fun to write (and they do indeed have EXTREMELY good justification for what they are doing.)
Sun, Aug 1 2010 04:31am IST 9
stephenterry
stephenterry
1702 Posts
Classic fiction is 'hero' versus 'protagonist' - where the hero has morality, courage etc. and overcomes everything that the protagonist tries to do - eventually.

But this is 2010. Some publishers want fiction shown from the protagonist's POV - it seems to be a trend. There is a dark side to all of us, scary scenes make for interesting fantasy and escape from the everyday routine.

Any one who could come up with a believable anti-hero is on a winner.
Sun, Aug 1 2010 10:06am IST 10
Box
Box
8 Posts
The best recent example I can think of this is Finn by Jon Clinch, which chronicles the early life of Huckleberry Finn's father. Definitely worth a read Babblefish; one of the most well drawn and conflicted anti-heroes I've ever come across. In case you've seen (or read) it, the tone and tragedy is very similar to The Assassination of Jesse James by the Coward Robert Ford.
Sun, Aug 1 2010 02:43pm IST 11
Christo
Christo
4 Posts
There's another good one - written in the early 1900's by two French writers about someone called Fantomas. He was basically an assassin. After reading that it really got me thinking that evil heroes are probably more interesting because they have questionable morals - a guilty pleasure (excuse the terrible pun) if you like!
Sun, Aug 1 2010 10:40pm IST 12
Babblefish
Babblefish
846 Posts
wouldn't it usually be 'hero' versus 'antagonist' stephen?
Thu, Aug 5 2010 07:11am IST 13
stephenterry
stephenterry
1702 Posts
Extract from Wilkpedia
It is entirely possible for a story's protagonist to clearly be the villain, or antihero, of the piece, as is evident with characters like Vic Mackey (from The Shield), Tony Soprano (The Sopranos) , Walter White (Breaking Bad) and ZIM (Invader ZIM)

However for the sake of consistency shall we agree on hero versus anti-hero, or protagonist versus antagonist.
Thu, Aug 5 2010 09:22pm IST 14
killphil
killphil
3 Posts
You should never use wikipedia as a source of information Stephen unless it is to reconfirm something you already know. Even then you ought to find a different route for your extract/sources
Sat, Aug 7 2010 12:13am IST 15
Babblefish
Babblefish
846 Posts
You seem prone to stating your opinion as an absolute fact Killphill. Certainly Wikipedia should not be used when trying to reference formal reports, but as a source of everyday information I don't see any reason not to use it, particularly if all you want is a general definition. Also, it should probably be noted that Stephen probably did already have a good understanding of hero's, anti-hero's, protagonist and antagonists, and was thus just, as you say, confirming what he already knew.

Okay, Stephen, you said we should all agree on hero/anti-hero, pro/an- tagonist.
The definition I was thinking of as I started this post is that the protagonist is generally the main character of the story, the character who's actions we follow, and the one who must overcome the stories main obstacles. The antagonist is the protagonists main adversy, and is generally tries to prevent the protagonist from reaching their goal. I guess I think of all protagonists as being "heroes" in some way, "anti-hero" merely being a particular type of hero, distinguished by their tendency to do things which are generically considered "evil", however my suspicion is that even if we dislike individual actions of an anti-hero, we are generally expected to agree with their end goal (for instance, personally I would classify Zim as an antagonist, in most episodes anyway).

Does anyone have any qualms with this definition, or anything to add/clarify. Is it even correct?
Sat, Aug 7 2010 05:47am IST 16
stephenterry
stephenterry
1702 Posts
Well does it really matter ? - A good guy against the bad guy is all I need to know. The fact that the bad guy could take the lead role seems to be a market trend - such is the perverse nature of the human mind.

Anyway, I'm bored with this topic - I think I'll go and read some Wikipedia...

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