| Wed, Sep 1 2010 07:04pm IST 1 |

Green polka
50 Posts
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My novel is written in the 1st person, so only her opinions,
ideas, situations arise. Unfortunately, it is increasingly
difficult, as the story develops, to create situations forcing
the reader to bond and understand a man who is kinda in a
parallel situation to hers.
I have an idea of either starting or ending each chapter with a
small piece written in the 3rd person from his perspective. I
thought of possibly increasing the margin size or even putting it
in italics. I don't want to create confusion, however, this
knowledge would definitely elevate the plot.
The parallel story runs continually in my head, but it is
becoming increasing clear to me that the reader might like to
know this as well.
I would appreciate any comments on this.
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| Wed, Sep 1 2010 09:21pm IST 2 |

John Taylor
891 Posts
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I think there are several issues here. The parallel story in your
head doesn't always need to be told, because you must know more
about the situation than your readers. But if it is bursting to be
told, then a different style seems a good idea. I like books that
mix POV styles, but for me, they must spring from the needs of the
story, as yours evidently does, Green polka.
Books that do this as a stylistic device tax my concentration
unless they are brilliantly written - Hotel World by Ali Smith
reached out and grabbed me.
I write with two first person narrators, one in the present
tense and the other in the past tense, but this is merely a
reflection of their personalities: one immediate and the other
reflective. I followed the advice of several writers, and wrote
passages of the book in first person and various different
forms of third person narrative. I reverted to my original
solution because it was the one that worked for my characters
and my writing style, but I wouldn't impose it on anyone
else!
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| Wed, Sep 1 2010 09:27pm IST 3 |

Weens
993 Posts
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I'm told it's a big no no to head jump, BUT, if it's perfectly
clear whose POV it is and if it adds to the readers enjoyment of
the stor, I don't see anything too wrong in it. There are
techniques like a separate chapter for each person. To say it is
such a big no no, I've read plenty of books that have done this.
You could always write it in third person and see how it turns out,
that would give you more leeway. I haven't seen the POV change much
in the first person I must admit, but they are always telling us to
write something groundbreaking and different, maybe this is it. I
would ask someone else to read it, to make completely sure they
know whose POV it is
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| Wed, Sep 1 2010 09:31pm IST 4 |

Weens
993 Posts
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John's post crossed with mine, and I have to agree with what he
says. My story is from one main protagonist, but with the
occasional change of POV to move the story along. Someone who read
it recently said that it would put an agent off, because I had
changed POV. When asked if it was clear whose POV it was, he said
yes. So??? Where's the problem. I'm not to write in more than one
POV because a potential agent might not like it!
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| Wed, Sep 1 2010 09:31pm IST 5 |

Liss
384 Posts
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Well I have no clue about POV etiquette but in my MS it's
predominantly 1st person, but I do switch every now and then. It's
very clear when I switch and who it is switching to, and it works,
but I dunno :) x
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| Thu, Sep 2 2010 08:22am IST 6 |

Green polka
50 Posts
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Hm, a quandary! I do intend for it to be clear, as I find
changing narratives irritating, it changes the attitude and sense
of the story, losing flow. However, my parallel story has only a
small thread that links with my protagonist for most of the
story, a small bit in the beginning and the major chunk, the main
crux of it all, in the back end. I am concerned the end may feel
out of place and therefore disappointing if there is no bond with
this character. I thought I could create little glimpses, hinting
at the intrigue and turmoil that actually causes most of the
story. But I am nervous now! What to do what to do?
Thanks for the comments, food for thought.
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