Help needed. How to write a novel that would adapt to the screen.

Fri, Apr 29 2011 07:14am IST 1
stephenterry
stephenterry
1882 Posts
Hi Screen writers. Any useful hints on how a new novel should be constructed to make it easier to adapt to the screen?

Basic bullet point would do - and would be most helpful. Thanks.
stephen
Fri, Apr 29 2011 07:20am IST 2
stephenterry
stephenterry
1882 Posts
Let me explain. I'm not being pretentious or big-headed - I have outlined a concept story that has attracted the interest of a script writer. Of course, I have to write the story first - and I want to avoid pitfalls that could demand a total re-write (from the script writer's point of view).

So any advice would be most welcome.
stephen
Fri, Apr 29 2011 08:23am IST 3
JtF
JtF
167 Posts
Great stuff - here's hoping you get to the "£30k advance on the first day of principal photography" clause.
Obviously show don't tell, characterisation by actions of main and foil group. Start late and finish early. Brevity in dialogue. Every word must be essential on the page as you have in this format only 100 to deal with. Thesis within the first four pages. Americans don't like flashbacks or much fancy voice overs. By about page 85 you must have reached the "what's the worst thing that can happen" plot arc turn scene.
If your original book has many subplots these may have to be simplified (or largely omitted) for on screen clarity That's not to say that you can't layer clues or underestimate the keeness of you viewing audience. Best - JtF
Fri, Apr 29 2011 09:18am IST 4
Kasubi
Kasubi
202 Posts
Hi Stephenterry,

A good one to check out is the Dexter series of books - especially the first, Darkly Dreaming Dexter by Jeff Lindsay. The reason I suggest this is because, if you compare it to the first TV series, not only the plot, the characters and the action - but also the dialogue, hardy varies from the first half of the novel. Which means it was very well written for screen adaptation.

As scripts rely almost entirely on action and dialogue - stick to those. As JtF says - show, don't tell. You might want to ask this question on the Celtx forum which is a community specifically dedicated to amateur and pro film writing.

It depends, of course, how long you're going for. The Pride and Prejudice adaptation for a 300 minute TV series (1995) was vastly different to the 127 minute feature film adaptation (2005). Especially in how many siblings Mr. Bingley had. The first thing to go when adapting to film is often extended family. You're looking for one, solid plot line. Everything after that can be trimmed like bacon fat.

But, at the same time, the most important thing is to write a story that excites the script writer. Don't make it so lean that they have nothing to work with. It's your job to write the lit. and theirs to write the script. So focus on giving them whatever you wrote in your concept - because that's what they were interested in.

Please login or sign up to post on this network.
Click here to sign up.