| Tue, Jan 24 2012 03:53pm GMT 1 |

John Taylor
916 Posts
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Ely, you may have made your decision already, but you've started a
really interesting debate I've only just seen.
It affects all of us when we've lived with a manuscript for a
long time (except Stephen, maybe?) I know you have an amazingly
visual imagination, and one way I work through small scenes that
I know down to the last comma is - purely in my head - to try and
walk into them from some other direction - interupt the scene in
mid flow. Sometimes that will lead to the placing of a line of
dialogue or a tiny hook that wasn't there before, sometimes it
will just be about opening the scene in a less passive way (look
at the verbs in a descriptive scene). A lot is about transitions
- hopping in and hopping out. And sometimes it will just go -
well, at least into another file!
The other issue for me is about cumulative effect. What comes
before and after your scene? I reluctantly transferred one of
the most poignant scenes in BBE to the other, less involved,
narrator - not because the scene didn't work (I've read the
original aloud to care professionals to make them aware of how
hospitals can seem for a person with a learning disability, and
probably will do again), but because it was four chapters
before another, even more powerful, but similar scene.
Retaining both lessened the impact of the second scene.
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| Tue, Jan 24 2012 03:53pm GMT 2 |

John Taylor
916 Posts
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Ely, you may have made your decision already, but you've started a
really interesting debate I've only just seen.
It affects all of us when we've lived with a manuscript for a
long time (except Stephen, maybe?) I know you have an amazingly
visual imagination, and one way I work through small scenes that
I know down to the last comma is - purely in my head - to try and
walk into them from some other direction - interupt the scene in
mid flow. Sometimes that will lead to the placing of a line of
dialogue or a tiny hook that wasn't there before, sometimes it
will just be about opening the scene in a less passive way (look
at the verbs in a descriptive scene). A lot is about transitions
- hopping in and hopping out. And sometimes it will just go -
well, at least into another file!
The other issue for me is about cumulative effect. What comes
before and after your scene? I reluctantly transferred one of
the most poignant scenes in BBE to the other, less involved,
narrator - not because the scene didn't work (I've read the
original aloud to care professionals to make them aware of how
hospitals can seem for a person with a learning disability, and
probably will do again), but because it was four chapters
before another, even more powerful, but similar scene.
Retaining both lessened the impact of the second scene.
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| Tue, Jan 24 2012 03:54pm GMT 3 |

John Taylor
916 Posts
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(both of us wrote that, I guess)
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| Wed, Jan 25 2012 06:43am GMT 4 |

Alanboy
434 Posts
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I hope I avoid the turmoil that Elysia is going through, but I do
understand what she's trying to achieve. I've been there with my
first novel. That MS is tucked away for now, because I ran into a
wall; after 4 years and almost 50 edits I decided to put distance
between us. I will go back to it, but it will be to pull it apart
and reconstruct it as two or even three shorter novels.
I cannot accept second best. Every word, every punctuation mark has
to be just so. If I am 99% satisfied with a sentence, I will not
leave it. Others think this approach is wrong, or not for them, as
they strive for their bucketloads of good to mediocre. Well,
everyone to their own ways of working. I hope they are
succesful.
What I do believe is that the brain needs to be exercised and
pushed hard; churning out millions of average words won't do it. I
am so glad I have done all that work on my first - none of it was
wasted effort. It was rigorous mental exercise that has prepared me
to do better. And I believe I have.
But I would say to Elysia that she needs to be kinder to herself.
After all, turmoil is stressful. Ha - perhaps she is one of those
who thrives on pressure, even if it is self-inflicted. I don't
know, but good luck.
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| Wed, Jan 25 2012 12:50pm GMT 5 |

stephenterry
1882 Posts
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I cannot accept second best. Every word, every punctuation mark
has to be just so. If I am 99% satisfied with a sentence, I will
not leave it. Others think this approach is wrong, or not for them,
as they strive for their bucketloads of good to mediocre. Well,
everyone to their own ways of working. I hope they are
succesful.
It's successful...
Not logical to assume that even if you're satisfied it's not a
given that your work is any more good to mediocre than others who
do not follow that mantra...
I resolve my 'trying to improve' by writing, not editing ad
infinitum. But each to their own, I guess. No offence meant.
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| Wed, Jan 25 2012 01:01pm GMT 6 |

Alanboy
434 Posts
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Haha - the joke's on me. I wasn't successful at all. A slap on
the wrist for my typo.
No, I meant that I had done better (or perhaps I think I have done
better) with my second attempt through following that mantra.
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| Wed, Jan 25 2012 01:35pm GMT 7 |

stephenterry
1882 Posts
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I have to agree that a certain amount of self-editing and review is
beneficial. No argument there. What is less clear to me, is that
each one of us can ultimately bring about 'perfection'.
There has to be a point when enough is enough. And let others
decide whether it's worth while persevering. In some cases, it will
be - but I think that the external input is essential to provide
that momentum and guidance.
What I can't understand is why writers just carry on endlessly
revising without that input...
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| Wed, Jan 25 2012 06:02pm GMT 8 |

EmmaD
1997 Posts
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I think you have to separate out two questions, though: revising is
partly about making THIS piece better, but it's also about learning
to be a better writer.
Every time you spot a word or phrase or sentence or paragraph or
chapter which could be better, and don't just move on, but set
about trying to work out why and how, you're becoming a better
reader-writer. It's the equivalent of the fact that every time you
run for a bus you're not only hopefully not being late for this
particular party, but also giving your cardiovascular system and
bone density a bit of a workout for the future. You might miss the
bus but it's still worth doing for the second reason. It's not just
that most of writing is in the re-writing, it's also that most of
learning is.
But there is always a limit on that, in the sense that there are
things you need to learn, which this project doesn't involve.
However often you run for the bus you won't get better at climbing
trees, although the cardio fitness will help in a general way. And
for many writers it's much easier to go on fiddling and picking at
it - and perhaps genuinely making little bits of better in lots of
little places - than to stand back, think structurally, confront
the big architecture... which may well include getting someone
else's view of it. Having said that, I see just as many writers
stopping too soon, as going on too long. Probably more,
actually.
So I agree that there comes a time when it's more sense to stop, at
least for long enough to find out how it reads to someone else. But
I also think that that someone shouldn't have the last word,
however many iterations of feedback you do. And there's no point in
having some kind of editing going on if you don't take those
suggestions and make them your own - the book's own. You're not
learning anything if you just do the equivalent of copying out the
sum again, with the right numbers plopped in; you have to go back
to the beginning and understand why the corrections are correct.
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| Thu, Jan 26 2012 05:16pm GMT 9 |

stephenterry
1882 Posts
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Yes, I'm probably one of those writers who stop too soon, because I
have the common sense to realise that I need outside guidance to
move me from a C into a B. Yes I can attain C + but that's it.
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| Fri, Jan 27 2012 05:49am GMT 10 |

Alanboy
434 Posts
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But Stephen, in the end you have to trust yourself and your own
judgement, else how do you develop? You can't totally rely on
any outside guidance, even though it might be the
best money can buy, like WW (haha). In the end it's You. You have
to work through the grades.
But I do agree no one can work in complete isolation. If I was of
that mind I wouldn't be on the Cloud.
This came about because of Elysia seemingly doing herself GMH. I
hope these viewpoints have cheered her up.
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| Fri, Jan 27 2012 09:05am GMT 11 |

CJ
955 Posts
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Totally agree with you, Alanboy - and on that journey to trusting
yourself, you're bound to find a few bumps in the road. This was
a bump. I have now traversed it (successfully? I'll find out when
I've finished!). I now have the confidence to stick another two
fingers up at the Rules Mafia and do what I want, as well as
knowing that cutting out and re-writing 4 of my chapters is the
right thing to do. I'm learning to trust my gut, y'see. And I
feel better for it. Yay for the Cloud!
The thing is, of course people need a certain amount of feedback,
but there comes a point when feedback is just so many different
opinions. I have no argument that other people are a valuable
resource; I choose to post my stuff in groups (which is why you
probably don't think I share anything - I do, just not on the
general forum very often), and so far, in terms of feedback, it's
been very helpful. But when it comes to working on whole novels,
unless someone is willing to sit there are read the whole damn
thing, you HAVE to learn to listen to yourself. And learning to
listen and trust yourself is just that - learning. And, in the
process of learning, you are going to hit snags. A snag was hit,
so I posted here. And Lo! The snag has now been unpicked.
The thing is, 100 people can read and review your writing, and
you'll get 100 different responses... how helpful is that really?
Sure, if most of them pick up on the same thing, or confirm a
niggle you've been having, then fine... but what about those who
just don't know / like / understand your genre and want to make
it sound like something they'd like to read, as opposed to what
fits in with that genre / audience expectations? I spend more
time sifting though advice, having to decide what I think is good
advice and what I think is poor advice and acting on that - and
the simple truth is in order to do that, you have to learn to
trust yourself. Otherwise you're going to end up writing by
committee, and that's never a good thing.
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