The Encounter - the woman's story

Mon, Jan 23 2012 11:13pm GMT 1
EleanorW
EleanorW
177 Posts
This is the second part to a proposed trilogy of snapshots, all of the same place and time and event. This part I've only just written. It's very much a first draft, and I feel I've got to know the people here well enough to trust you to tell me honestly what it needs doing to it!


25/1/2012 : I've made some suggested edits which should be plain to see.


The Encounter - the woman's story

Katrine blew on her gloved hands, stamped her feet surreptitiously trying not to draw attention to herself, and frowned. As a farmer’s daughter neither the early hour did not bother her but the cold did. any more than usual. She missed her fleece-lined boots and thick woollen gloves. Leather might be smart but it simply couldn't keep the frost at bay. She watched her breath forming a dainty white fog in front of her and wished the mission was over.

Given her own way she would have turned up padded out in her byre wear, absolutely inelegant but warm. Unfortunately it was her operator’s way that counted as he had told her quite bluntly. “For the honour of France!” he’d said, as if she didn't realise what was at stake. “You are a city-dweller who is travelling home from a stay in the country, and that is what your travel documents will say.” The fact that she was to board the train and then get off again one station down the line, didn't affect anything as far as her operator was concerned.

She couldn't shake off the strange feeling that she was being watched. Not by her mission who was standing at the opposite end of the platform looking away from her down the tracks. There appeared to be no-one else present, but German Intelligence could be anywhere. She had developed a finely tuned sixth sense and couldn't simply dismiss her intuitions. However, as long as the man down there knew his instructions and followed them to the letter, this could all be over soon.

While waiting, she reflected on her mission. It occurred to her that the man was probably confused and frightened but an initial empathy with his plight soon gave way to irritation. Katrine really didn't care much for Jews. She considered their religion fussy, obsessive about rules, and not encouraging to outsiders. Not like her beloved Catholicism with its huge dark spaces and candle-lit sense of mystery. As soon as she could she would go to St. Michel in the town. There, in the darkness and silence, she would light a candle for the end of this dreadful interminable War and for the success of all missions. Including this morning’s. Jews were Jews, and not very likeable in her estimation, but their treatment in the Nazi camps was not something she’d mete out even to the cattle on her father’s farm.

She sensed a movement at the other end of the platform and checked her watch. Yes it was time. She began to walk slowly down the snow-covered flagstones, looking anywhere except at the approaching figure.

When she realised that they would cross right by the station buildings she panicked slightly. This hadn't been properly thought through. The paper was in her hand. Was she really being watched? A trickle of smoke came from the chimney. Of course there would be a station-master. Friend or foe?

As she passed the curtained window her sense of hidden eyes grew much stronger. She abandoned the plan and dropped the paper on the ground as the man was almost upon her. He couldn't miss it.

She walked on and didn't wait to see if he bent down.

The train was late. It was just as cold at the other end of the platform. She swore under her breath. When the train finally pulled in, she boarded and refused to look back down the platform. She settled into a half-empty compartment and watched through the drifting wisps of steam as the dawn sun sparkled on the frost that rimmed the ploughed furrows alongside the railway. the dawn-lit frost-bejewelled steam-cowled countryside pass by the window.

Not for the first time, she wondered if she was doing the right thing. British airmen, escaped POWs, fleeing Jews - did they really have anything to do with her? She sighed, and the other travellers turned briefly to look at her before turning away.

A few kilometres down the line a lane passed parallel to the track for a while. She saw a man beating a horse and she glared at him impotently. How dare someone treat a dumb animal this way? It was all very well for -. She stopped, aghast at the thought that had almost come full-formed into her head. She lit a cigarette to cover her confusion and exhaled loudly and deeply.

Twenty minutes from Sully, the train stopped again. She dismounted and spoke a friendly word to the stationmaster there, a friend of her father’s. Still disturbed by the thought she had nearly given headroom to, she began the long walk home to the farm.

Tue, Jan 24 2012 05:20am GMT 2
Sassie
Sassie
29 Posts
Hi Eleanor.

Just a few issues that didn't sit right with me.

Para.4. - Feels as though it's in the wrong place, as though it was an afterthought somehow, it didn't flow (hate that word) smoothly from para.3. I did, however, like her views on everything, just not where you placed it. Might just be me though.

Para.9. - the dawn-lit frost-bejewelled steam-cowled countryside pass by the window. - Seems a little jarred, and not in-keeping with the rest of the narrative.

Para.11/12. - I like the hint at a dark thought she has, drawing me in and leaving me guessing. For me I like small jewels of intrigue. I'm not of the ilk that likes everything thrown out there, I prefer to have some form of mystery, so well done.

After reading your previous piece on the station-master, I have to say I preferred it to this one. Although this is beautifully written, I can't seem to connect with her the same way.
It is however, something I would have no problem in reading, because I like your form of writing.
Smile
Tue, Jan 24 2012 07:12am GMT 3
stephenterry
stephenterry
1882 Posts
Hi Eleanor. Not too sure I connected with this piece - it just didn't gel for me. IMO, the stationmaster piece was far superior. Okay, so what is it that bugs me? It's probably to do with the farmer's daughter being totally mismatched for the mission - so it's more a credibility thing.

Here is an example where there is conflicting messages, without explanation.

Katrine blew on her gloved hands, stamped her feet surreptitiously, and frowned. The continuity of action with the frown at the end is not right, and how do you stamp (which is a forcful action) surreptitiously?

As a farmer’s daughter neither the early hour nor the cold bothered her any more than usual. Which contradicts the above and also the next sentence below.

She missed her fleece-lined boots and thick woollen gloves. Leather might be smart but it simply couldn't keep the frost at bay.

(It's fine if she's acting a part, but that is not revealed. Maybe you could play around with that theme more because there doesn't seem to be much purpose to her mission. For the honour of France, yet there was a lot of thought about Jews - not so sure that the two synch together very well.)

I'm probably being more critical than it justifies, but normally you write so exquisitely, that it becomes noticeable when it doesn't hit the right notes, e.g. like the triple connecting adjectives that Sassie pointed out.
Hope that helps




Tue, Jan 24 2012 09:48am GMT 4
Alanboy
Alanboy
434 Posts
Hi,

Yes, there are too many adjectives and adverbs, IMO. I have to ask: how do you exhale 'loudly and deeply'? It sounds vague, but then, I don't smoke. And, how do you glare impotently? What type of war isn't dreadful?

Sorry, I know it's an early draft.
Tue, Jan 24 2012 11:25pm GMT 5
EleanorW
EleanorW
177 Posts
Thanks Sassie. Helpful comments. Where do you think Para.4. should go? (I only put it there because in the previous paragraph she had referenced the man for the first time). Para.9. - the dawn-lit frost-bejewelled steam-cowled countryside pass by the window. Yes, that only got put in as I wanted a bit of beauty of description, it might be inappropriate there though.

Thank you Stephen - ditto. Not sure I see what you mean about the frown, but you're quite right to question "stamp surreptitiously". I had my own doubts about that. I suppose I meant she was trying to not draw attention to herself. I can see where you would find a contradiction about the cold (she was dressed in unaccustomed clothes) - that needs more attention.

Your other points I respectfully differ over - I was deliberately trying to counter the "everyone in the Resistance was a spotless hero" view. They weren't, they were simply human beings with all the flaws that implies. However, if it didn't come over too well, then I've failed in what I was trying to convey. I need to look at that again.

Alan - yes, "dreadful War" is definitely a tautology, I'll have to rephrase that. "Glare impotently" - if you witness cruelty through a train window, how else can you glare? It's not as if you can do anything about what you see! But thanks for the comments.
Wed, Jan 25 2012 12:51am GMT 6
Eddytip
Eddytip
237 Posts
Where can I find the stationmaster's story?
Wed, Jan 25 2012 04:36am GMT 7
stephenterry
stephenterry
1882 Posts
Eddy, go back through the critiques to find her first post- there's a number sequence at the bottom of the list.

hi Eleanor - the 'frown' doesn't connect to anything before (you describe two body actions) or after (you then describe her unsuitable clothes before wishing that the mission was over). It's left hanging at the end of the sentence. Frown at what? The cold? Her boots? Her mission? Or did she just have a headache? Insignificant point, but you included it for a reason, I thought? It's nit-picking, I agree.

Yeah, I never connected with your explanation, sorry. I don't know why, though... Maybe it had something to do with the 'honour of France' not gelling properly in my mind. If it had been for the 'honour of the Jewish resistance' (or whatever terminology they used - OJC) it might have resonated. Since half of France was pro-German anyway, I wasn't convinced. Maybe it's me...

Wed, Jan 25 2012 04:49am GMT 8
Sassie
Sassie
29 Posts
Hi Eleanor.

I'm sorry, I re-read para the first 4 paragraphs and I see it now. Haven't had much sleep, the fuzzy head must be playing tricks with me.
Embarassed
Wed, Jan 25 2012 04:50am GMT 9
Sassie
Sassie
29 Posts
See what I mean, can't even post that properly.
Wed, Jan 25 2012 08:04pm GMT 10
EleanorW
EleanorW
177 Posts
I've made some suggested edits, above.

Stephen, I think I've failed to explain or even hint clearly what is going on, so I'll explain, before I attempt to rewrite. Katrine is a member of a cell of the French Resistance, answerable to her 'operator'. Like all the Resistance, they are anti-Nazi and pro-France (as in "for the honour of France!"). But, in common with much of European sentiment, there isn't a great deal of sympathy for Jews. The camps are known about, but not the full horror of what goes on in them. Katrine is not actually anti-semitic, but nor is she very sympathetic. The third segment will provide a further twist.
Thu, Jan 26 2012 04:09pm GMT 11
stephenterry
stephenterry
1882 Posts
Goody - let's have the third one...
Fri, Jan 27 2012 02:24pm GMT 12
gill46
gill46
11 Posts
well one thing in particular stood out which I think you should definately omit- that being ' she didnt care much for Jews' etc. never advisable to put anything remotely racially prejudiced
Fri, Jan 27 2012 02:26pm GMT 13
gill46
gill46
11 Posts
Ok well yes I see its aplitically bound story but I see it as actually being your voice and therefore its hard to get away from the anti jew feature. I grant that it might be essential to the story however.
Fri, Jan 27 2012 04:50pm GMT 14
Johncjg
Johncjg
54 Posts
its true i find it hard to sympathize with a jew hater
Fri, Jan 27 2012 05:14pm GMT 15
stephenterry
stephenterry
1882 Posts
Actually, Gill, and JCG, I don't agree. Writers need to push the boundaries - if it makes an uncomfortable read, so be it. However, if this story is going to be published Eleanor would have to bear in mind that she would lose a proportion of her potential readers.

And that's enough not to be published, because it won't be profitable to push a book that has a limited readership.
Fri, Jan 27 2012 08:48pm GMT 16
Tenacityflux
Tenacityflux
1266 Posts
I will just agree that anti-sematism was very widely spread an accepted here before the war, and afterwards - and so showing that your character has those views would be very true to life. People didn't know the full extent of what was happening in the death camps, so if through the course of the story her views change they have to change from a less exeptable pov. I see her thought process as being a cover for her fear as what she's doing and the risk she's taking - and true to life. I don't have a problem with her being conflicted, in her position I'd be frankly terrified even though I'd want to defend my country.

Fri, Jan 27 2012 09:11pm GMT 17
EleanorW
EleanorW
177 Posts
Jill, John, Stephen, Tenacity - thank you for your comments. The first thing I need to say is that I've approached this as a writer. The "persecuted Jews" story is a tragic one (almost beyond comprehension), but it's been done many times. I wanted to introduce a twist - the Resistance worker who helps Jews but from a religious POV she is not enthusiastic about Judaism, and has allowed that to influence her attitude toward Jews. Tenacity is quite right - Katrine is reflecting a very common and prevalent anti-semitism that existed during the War.

For the record, I had a Jewish grandmother I never met (she died before I was born), and was brought up a Christian. I am pro-Palestine and anti-Zionism, but anti-semitism leaves as much of a bad taste in my mouth as any other kind of racism.
Fri, Jan 27 2012 09:15pm GMT 18
Tenacityflux
Tenacityflux
1266 Posts
I'm also of Jewish stock (chicken, I presume.)

I do remember my Mum worked in TV in the 60's, and a famous entertainer ( who's fame is not immortal enough for me to remember his name) moved to Hadley Wood near her so that he could play golf at the famous gold club, but was never admitted because their policy stated no Jews. He only died in the 80's - they admitted woman in 2006...
Fri, Jan 27 2012 09:47pm GMT 19
Ali
Ali
490 Posts
TFx, Mr Rosenblaum's List by Natasha Solomons has the same plot as you describe, it's brill. Soon to be a movie I believe.
Fri, Jan 27 2012 10:00pm GMT 20
Ali
Ali
490 Posts
Eleanor,
I like your story telling. I find this subject facinating and have written on the theme myself. I take it you've read Charlotte Gray?
There certainly was a lot of anti semitism in Europe including Britain and most certainly France. As ST says half of the country was pro German including the Gendarmerie. The resistance also had many factions; Communists and Gaulists being the main two. I am of the opinion that most people were aware of the death camps but chose to look the other way; both governments and ordinary people. Did the French people thinks their neighbours were being taken on holiday?
Why did the Allies repeatedly refuse to attack the rail line to Germany and Poland?
I'm not put off by your MC's thoughts. Actually I'm more put off by your anti-zionist views. Although of course, you are entitled to them. There are faults on both sides of the devide.
My Grandmother was also Jewish, which makes both of us technically Jewish as it passes through the maternal line. I am looking into Judaism as a faith.
Good luck with the story.
Fri, Jan 27 2012 10:18pm GMT 21
EleanorW
EleanorW
177 Posts
Ali, I'm only anti-Zionist because of the intolerance, violence and anti-semitism which it incorporates. Anti-semitism? Yes, surely - aren't the Palestinians Semites too? The Israeli government is building a wall to block off its own cousins, brothers, sisters, and it's worse than apartheid which at least claimed racial differences (shallow though that claim was). Native Israelis and Palestinians are the same people!

Tenacity - LOL @ chicken stock. I love chicken soup. Soup is thicker than blood Laughing

I'm currently buzzing with ideas for the final part of this story. If it wasn't for the Amazon Breakthrough Novel entry I would be well into writing it by now.
Sat, Jan 28 2012 07:51am GMT 22
Ali
Ali
490 Posts
I have a problem with 'anit-zionist' which I believe is different to 'Anti-Israeli governement.' I don't agree with the wall. But a terrorist is a terrorist. I have relatives with bomb shelters in their basements.
Good luck with your work.
When you get a moment read Faulks, if you haven't already.
Sat, Jan 28 2012 06:11pm GMT 23
Old Fat Prop
Old Fat Prop
205 Posts
Your mc has more compassion for a beaten horse than downed Allied air crew or jews?

Must be a woman thing...

I think I'd root for the Abwehr in this tale.

I'll defer my comments on extinct states like Rhodesia, Carthage and Palestine for another venue
Sat, Jan 28 2012 06:23pm GMT 24
EleanorW
EleanorW
177 Posts
Old Fat Prop - I'm not sure you've understood? Katrine saw the horse being beaten and it put something in her head - a comparison relating to how human beings mistreat each other - that shocked her. This was a really disturbing thought, and the story ends with her still thinking about it. The points I was trying to convey in this story were
1. that Resistance workers weren't necessarily heroic superhumans, just human
2. that anti-semitism was widespread in WW2
3. that unconscious opinions can be changed by something as fleeting as a scene glimpsed from a train
4. that human beings are subtle and complex (not easy to convey in less than 1000 words!)

I may have failed in successfully conveying those themes.

Sat, Jan 28 2012 06:49pm GMT 25
Old Fat Prop
Old Fat Prop
205 Posts
These are touchy subject to be flirting with and you are bound to expect reactions from that.

The failure to comprehend is most probably mine, rather than a failure to convery your message.

Mine enemy's enemy is my friend wasn't always the case in the resistance as ST and Ali point out.

Franc Tiruers were probably the most efficient but they were commies and on the wrong side of the Elbe so they got stitched more times than not. The Free French were megalomaniacs and difficult to work with. But they were our sort of megalomaniacs.....

In post war france in 1946 there were more executions than in any year of the French revolutions as scores were settled.

You chose a very complicated time and place for a setting.

Hope the final version is a good tale and not just another vehicle for political views....so boring that...

OFP

Please login or sign up to post on this network.
Click here to sign up.