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Very exciting week; the composer I'm writing my musical with has
sent me a rough version of one of the songs. Of course it's not
perfect, music goes through drafts like any writing does, but it's
pretty damn good! Perhaps most importantly it is not what I would
have imagined, not what I would have written (if I could write
music) which means that the finished article is going to be a
genuine collaboration. Regular readers will know that I don't
collaborate much. And people who know me can probably guess why.
One of the main problems I have had with the musical so far is
letting go of the reins, I'm just not used to sharing
responsibility and my instinct is to plough ahead as if I'm the
only one working on it. One way I have alleviated this is bt
sending regular (roughly bi-weekly) updates to the composer so she
can comment and so on. And that's just as well because I'm
seriously re-editing the opening scenes. Two of them have bit the
dust completely, one song has gone and the scene substantially
changed. And the more I change at the start of course the more
needas to change later on. It's a big job, this is my first real
attempt at writing something historical and I think my primary
instinct was to stick religiously to what happened when and include
everything. My writing instincts are now kicking in and I am
turning the events more into a story (without changing the fact s
of course). It's also the first time I've written something serious
for the stage, on screen or in a book you have so many more editing
options, half the challenge on stage is to be able to keep events
natural while being forced to work within a very limited number of
scenes. I think I'm doing this better now than when i started,
hence the major re-think but it's still tricky. Subtleties which I
would montage my way through in a film need to be addressed with
intelligence, and there are days when that just doesn't feel like
an option I possess. At the moment it feels like the ideas are just
pouring out of me, I could probably change every single scene, and
for now that's a good thing. I'm not writing yet so I just note all
the ideas in the structure and see how they play out. Which of
course brings me back to my collaboration problem again because
keeping track of all these changes must be a complete pain in the
arse. In conclusion; I'm glad I don't have to work with me.


3 Comments
Of course there are things like 'Tommy' and a few others. 'Our House' but they don't seem to have staying power. 'Our House' only really had one song in it. I listened to an opera written by a member of the Pink Flloys
Flloyd. It lacked tunes!
So yeah, I'd call it an English musical, I wouldn't call it a 'show' one cos that conjours up images of Oklahoma to me, but nor is it like Andrew Lloyd Webber. We're in an odd situation where I am a musical fan but have never written one, my composer has written a musical before but, oddly, is not a huge musical fan so does things very much her own way.
If nothing else it is a learning process.
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