Historical novels - How much does veracity matter?

Published by: Barry Walsh on 7th Nov 2010 | View all blogs by Barry Walsh

There was discussion last week at our writing group about historical novels playing around with history to the point of being unreliable as a reference. Someone was unhappy about Hilary Mantel’s Thomas Cromwell, who apparently was not such a fine character in real life. Others didn’t care because Wolfe Hall was a marvellous novel and Cromwell a wonderfully drawn character; if it’s fiction, it’s OK. Clearly, some veracity has to obtain otherwise why write about the subject in the first place? But how much? 

 

Anyway, lighter discussion ensued about titles of novels/films that might offer a very different view of history. How about: Ivan, The Really Rather NiceDo Clouders have any more suggestions?

Comments

40 Comments

  • AlanP
    by AlanP 1 year ago
    To the first point, I think that it's necessary to correctly depict the historical background and characters, although the story itself, of course, can be completely made up, always provided it's consistent with and doesn't contradict actual events.

    Titles? "Vlad the Tickler"
  • MinxieAD
    by MinxieAD 1 year ago
    If I were to write this type of novel I would do my best to stick to the background facts. It would also depend if the story is featuring a factual character in history or not. If a fictional character they can see events the way they choose in a sense?

    This reminds me of a book I read years ago, but I can't remember the name of the author. If anyone reading this knows who it was, could you let me know as I'd love to read it again.

    It's called The King's Concierge. King George V sends a Russian speaking soldier into Russia to rescue his cousin Tsar Nicholas and family. I can't remember the name of the soldier! But he meets Lenin and eventually manages to rescue Anastasia. I'm not sure if at the time this was written it was still believed that Anastasia coud have escaped, but the facts behind the plot seemed to tie in with actual events apart from Anastasia being rescued (So did offer a different view of history). If anyone knows the name of the author I'd be very grateful. I read it when I was in my early 20's and would have probably bought it second hand ! So not sure when it was written.
  • Caducean Whisks
    by Caducean Whisks 1 year ago
    I really *really* want my historical novels to be accurate - or at least, not inaccurate; and it really bothers me if I suspect the author's played fast and loose with known fact. It's like they're lying to me - wilfully and maliciously. It they want to be fanciful, why not make up the characters and situation entirely? It's like seeing zips in the backs of Roman dresses on film. Having said that, if it's clear that it is entirely fanciful, that's fine. "Shakespeare in Love" springs to mind, as does "Up Pompeii" (sorry - film examples again).
    As Alan says, the actual story can be made up as long as it *could* have happened, but the surrounding factual details? No sir, not on my bookshelf. I heard tell that J.G. Farrell's "The Siege of Krishnapur" was stonkingly innaccurate historically and I'm sooo disappointed. But I may have heard wrong. I hope so, and please tell me if I have. Sorry J.G. I want to be friends.

    Titles? How about: "Alfred the Who?"
  • tegels
    by tegels 1 year ago
    I had a fine old time with Wolf Hall mainly because I don't think I know much about the era (I don't, I like really old stuff like Romans). But it means I brought an open mind with me, and was able to enjoy the novel for what it is - a finely written book. I'm aware it's a different take on Cromwell. He was known as Henry's Henchman, but this novel does at least make him a complex person, rather than an out and out baddy. Was he really a baddy anyway? We just hear too much of the ruling elite's view, particularly as he was a commoner. Mantel gives him a chance at any rate. To think I nearly didn't read it due to the shear amount of Tudor novels there are around at the moment!

    I'm an archaeologist and could take a really hard line with accuracy. However, I do not like a novel which is in effect just an info-dump, with some sort of story tacked on for good measure. I don't take historical fiction as historical reference, and it merely serves as a channel to get me interested in an era. It's great when the voice is authentic, and the history spot on, but it's still an intepretation of the facts. No one can know what Thomas Cromwell was actually like in real life, but it's great when the author has given it a good go and written within known events.

    Just don't get me started on King Arthur though ...!
  • Kiki
    by Kiki 1 year ago
    What a fabulous blog Minx! I feel that historical facts have to be correct and verified - Number 1. Number 2 - The mood of the era must be accurate ie if writing about the Dark Ages, don't make it all fun and light with food a plenty!
    Realism is terribly important to me if I read a historical novel, like you Minx, I like to learn more about the era and enjoy the story. Story is still just as important in historical fiction; even more so! Phillipa Gregory's The Red Queen is a good example for this blog, and also The White Queen.
  • Barb
    by Barb 1 year ago
    There's many novels that are set in medieval times that drive me bananas - people did not have baths every day, they didn't get about in horse drawn carriages, and they most certainly didn't eat potatoes, tomatoes or drink tea (as in the stuff found in a box of PG Tips).

    As to the character of historical figures, I think a writer has some scope here. People are neither all good, nor all evil. There are many sides to every story, and it depends where you are viewing it from, and which version of history you are referencing.

    Anne Bolyen:
    1. Home wrecking, adultery, incest, liar, criminal?
    2. Naive, family pawn, chaste, wrongly accursed, victim?
  • Barb
    by Barb 1 year ago
    As for suggestions: Catherine the not all that special, really.
  • Secret Agent
    by Secret Agent 1 year ago
    My novel is set in Georgian London and I hope the background scene and atmosphere is accurate enough to be believable without getting in the way of my imagination to play about a bit. It is strange how people thing that those that lived long ago were fundamentally different to us today. Not so much as you might think I would suggest?
  • EmmaD
    by EmmaD 1 year ago
    Could witter on for hours about this one... no time at the moment but probably won't resist for long.
  • Bren
    by Bren 1 year ago
    No but they had to side step more poo than we do - even when they were wearing their nice dresses and visiting the king - should they be so lucky.
    I like my facts to be as accurate as possible. Sometimes gaps have to be filled - as I had to in mine.

    Suggestons: Thomas de Quincy: Confessions of an English Cupcake Eater.
  • mike
    by mike 1 year ago
    You could as well argue that history books play around with the factual evidence too.
    'The Great Pretender. Someone else can suggest who this might be?
  • Barry Walsh
    by Barry Walsh 1 year ago
    Thanks for everyone's comments. I like to think that context, at least, is accurate but I'm not sure it's a deal-breaker. Philip Roth's rewriting of context/history in The Plot Against America — a Fascist-sympathising Charles Lindbergh defeats FDR for the presidency in 1940, with real-life characters, such as Henry Ford collaborating — could have misled anyone with no knowledge of American history. But Roth's premise is that such a scenario might have obtained and the novel is a riveting read. But is it historical fiction? Probably not. I await Emma D's thoughts.
  • MinxieAD
    by MinxieAD 1 year ago
    Reading Tegels comment on Arthur, I just had to add I'm reading The Wicked Day by Mary Stewart at the moment. At the back of the book are her notes explaining her reasoning behind the novel and what they are based on. Maybe, if research is unclear and an author takes the decision to choose an already available option or create their own, they could justify this in the same way? Although the book is based on legend, from what I've read so far, the Dark Ages have been captured really well. Kiki - I wish I had written this blog, but alas, it wasn't me :[
  • tegels
    by tegels 1 year ago
    Mary Stewart is fine (and I love her Crystal Cave book), primarily because she does explain her interpretaton clearly and concisely (ie. it's not an essay taking up several pages). There's currently a series of novels about KA where the author claims to have done lots of research, yet has her characters using weapons, titles, etc., that are more applicable to the Early Roman Empire. A couple of hundred years later, they were still Roman, but fashions in clothes, weapons, etc had changed. Plus the story is pretty hackneyed as far as I'm concerned too (but then I've read so many KA stories I do indeed have the t-shirt, but it doesn't have KA on it as he didn't exist).
  • tegels
    by tegels 1 year ago
    btw, novels that change well-known history, such as the Roth one are called Alternative Histories, and would be reviewed by the Historical Novel Soc in that category
  • Mcallan
    by Mcallan 1 year ago
    Great blog. Like everyone else I think a historical novel has to be accurate as far as possible. My favourite historical novellist is Bernard Cornwell. His Arthurian trilogy seems pretty accurate to me...bearing in mind that much of the legend is myth anyway....but he gets the 'feel' of the era...or how I would like to feel it was. His other novels, the Sharpe series springs to mind, are superb. His research seems to be faultless and he writes as though he really cares.
    The secret, I think, is to have fictitious characters involved in real historical events. People seeing epic historical events happening before their eyes, without knowing the significance at the time.
    Cornwell's novel of the Battle of Waterloo is a perfect example. The whole book covers three days leading up to and during the battle. There is plenty of documented eveidence for him to work with, and he weaves Sharpe into the story without twisting facts at all.

    William the Capitulator?
  • tegels
    by tegels 1 year ago
    Cornwell's take on KA is quite acceptable (as is any of the other stuff I've read by him) so he gets my vote :)
  • tegels
    by tegels 1 year ago
    Harold the Hard Done By? For Harold II, beaten at Hastings :(
  • Tony
    by Tony 1 year ago
    Hereward the Dosey, Ethelred the Punctual or a re-interpretation of Thomas a Becket: Tragic Accident in the Cathedral.

    History, of course is not the factual account we often take it for. It is merely the received version of various past writers' interpretations of what they have either observed, or more often, been told occurred at the time in question. It is no more factual than two differing witness statements describing the same event in modern times, or two, perhaps politically divergent, newspaper reports of the same current happening. Unless we are present at an event ourselves, whatever we think we know of it from reading other's accounts, we can never be sure what really happened in detail. Even when we are present, unless it is a very small-scale occurance, we can not be sure we have seen everything we need to have seen in order to describe what happened accurately to others.

    However, having established that what we regard as 'historical fact' is not necessarily 'fact' at all, I do hold with the views of those above that believe historical settings in books should reflect accurately the traditionally held views of the period and events. (Unless, of course the book is deliberately setting out to suggest a radical re-interpretation of certain events.) As regards real people, writers have even more leeway. There are only so many ways an actual event can be described or interpreted, but as to the makeup of someone's character, the possibilities must be endless.
  • Weens
    by Weens 1 year ago
    Personally, I think the only time you can play around with historical fact, is if it is clearly a plot device, ie England lost the war and Hitler is in power. If it'sany other type of detail we are talking about, then stick to the facts.
  • Barb
    by Barb 1 year ago
    Which set of facts? There are often several versions of the truth.
  • Caducean Whisks
    by Caducean Whisks 1 year ago
    In the light of everyone's fine comments, I'm honing my previously stated view. Yes, I agree that it's all in the interpretation and a new interpretation is usually welcome.
    There are also things that are true, even if they don't form part of general knowledge - the existence of colour photography 100 years ago and such like. New insights are interesting, but I only trust them if the surrounding structure rings true to me. Ditto with people - indeed, I don't think they're so very different today in motivation, worries, pleasures than they were back in the mists, and nor is there only one view of events, whatever received wisdom may be at any one time.
    But I have a problem where I'm being deliberately or carelessly misled so that I don't know which bits are true and which aren't. I know what I mean.
  • Kiki
    by Kiki 1 year ago
    Oh yeah, sorry Pimlico!! It's because I had just read Minx's comments lol. :S
  • tegels
    by tegels 1 year ago
    And there's interpretation of the truth
  • Kiki
    by Kiki 1 year ago
    Obviously, all so called "historical fact" is generally open to question due to perspective and opinion, but there are certain facts that we know to be true (multiple accounts / pictorial evidence / evidencial support etc). Capturing the mood of the era matters more to me. There will always be many versions of the truth and many perspectives, I suppose a historical novalist must sift through the grain to find the precious gem that gives them their story. I should imagine that writing a factual historical novel is no small task!
    Whisks - I know what you mean and I agree with you
  • norman normington
    by norman normington 1 year ago
    What's veracity?
  • tegels
    by tegels 1 year ago
    I think with writing hf you need to have your solid baseline of knowledge about the era - which includes events, but also material culture (eg. what they wore, used, etc), and the mores of the time. You need to be familiar with it, and happy you know enough. Then you can start your story which should grow out of your knowledge. But I am aware a lot of people get bogged down in the research, and frankly enjoy the researching more than the writing!
  • Caducean Whisks
    by Caducean Whisks 1 year ago
    Norm, veracity is the city where Vera lives. Duh.
    Thanks Kiki - that's two of us; are we on the way to a quorum? (Norm - don't ask).
  • Tony
    by Tony 1 year ago
    Truth to tell, Norm, who knows what veracity is? (NB repunctuate to provide the answer.)
  • Kiki
    by Kiki 1 year ago
    Tegels - Spot on!
    Whisks - definately! Lol
    Norm - you need a dictionary! lol
  • Barry Walsh
    by Barry Walsh 1 year ago
    If believing that parts (or the theme) of a novel are true is integral to one's enjoyment of the story, then I suppose veracity does matter. However, finding out subsequently that a riveting story hadn't been based on historical fact wouldn't worry me overly. To take the Whisks example; if 'The Siege of Krishnapur' was not historically accurate, it doesn't reduce one whit the memory of an absorbing and wonderful story. After all, it was fiction.
  • Mcallan
    by Mcallan 1 year ago
    Glad you are a Cornwell fan too Tegels..:)
  • Barry Walsh
    by Barry Walsh 1 year ago
    By the way, Ethelred the Punctual is a hoot Tony.
    How about 'The Specific Strike of 1926' or 'The Wall Street Near Miss'?
  • Tony
    by Tony 1 year ago
    Thanks PK. And since nobody took me up on it, the correct punctuation to provide Norm's answer is:

    Truth; to tell Norm (who knows what veracity is).
  • stephenterry
    by stephenterry 1 year ago
    It's not just historical fiction - but also any setting. I wrote a short novel based on an American football team in America. Sent it off, and you wouldn't believe the words I needed to change to make it sound authentic.

    Did you know if you order a 'cookie' (biscuit) in a fast food restaurant 99 times out of a hundred, Americans will eat it plain without any cream or topping? - it's just not done. Toast - not in a fast food outlet. Plates - no - unless they are paper plates.

    Fireworks - not associated with football. Hot dogs stalls - no - concession stands - car park - no - parking lots. Grass - unlikely, now Astroturf. Athlete's singlet - no - Sweats
    And then, remove all double "ll" from words and change 's' into 'z' - it just went on and on. My sense of humour - sorry humor - was wearing thin - sorry we don't use that expression in this country. You say States - we say country. It a'int helpful - sorry most Americans unless you're a hobo do not use 'ain't. And not hobo -homeless person.

    As my helpful? editor said 'England and America are separated by a common language.'
  • mike
    by mike 1 year ago
    Some years ago the term 'counter factual' came into use. What if?
  • norman normington
    by norman normington 1 year ago
    I eschew a dictionary! (What does eschew mean?)
  • norman normington
    by norman normington 1 year ago
    Sorry I chewed my dictionary see the last bit sticking out of my mouth?
  • SecretSpi
    by SecretSpi 1 year ago
    The Wars of the Pansies?
    King Arthur and the Knights of the IKEA flatpack table?
  • Secret Agent
    by Secret Agent 1 year ago
    I too am a great fan of Cornwell but I have to say that I find Sharpe has become a little hard to believe recently. The historical setting is superb but Sharpe himself? Too many stories I think and throughout what 20 plus novels, his character never changes in so much as time after time he gets himslef into the same scrape and never seems to learn
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