Real People in Your Writing
If truth be stranger and more curious then fiction I'm finding it
very difficult indeed not to write real people into my novel. I
mean just how do you do it? Please help! How do you create
characters that are nothing like the people you have met in your
life? It's impossible surely? I guess you do the obvious of
course-you change names and descriptions. And you should steer away
from real conversations you have had. But that's one of the hardest
temptations I'm having to resist-conversations. Some real
conversations I have had would make great dialogue when put into
the mouths of my characters. There's one particular character in my
novel who is based on someone that I once had a bit of a fling with
in my youth. In real life the sex was OK-nothing earth shattering
but if I make him in my novel out to be an absolute sex God would I
be forgiven for using the odd bit of conversation? I'm being a
little tongue in cheek here but maybe it could be about a question
of balance. Many first novels have an autobiographical element and
mine is no exception. The Mother of my protagonist is very like my
real one. She's of a similar background with similar life
circumstances so how the hell do I write without offending my own
dear Mother?? I'm finding it so hard to separate my characters from
real people which is probably the sign of a bad writer but maybe
with a bit of practice and some advice from you guys I can avoid an
expensive law case but most importantly not upset those I love and
care about.


9 Comments
you must make your characters seem real to the reader so using snippets of conversations heard on the bus or whilst standing in a queue is a great idea and nothing wrong with basing them on people you know; that can only enhance their realism. You'll probably find that if you had a character who resembled your mother in some ways, your mother probably wouldn't recognise herself. And between you and me, I believe that the characters we create ARE real and that they HAVE existed at some time or another and on some planet or another but please...don't tell anyone I said that. Good luck.
I got some great advice on this topic when I raised a similar question. It is posted here: http://www.thewordcloud.org/forum/topic/1342
Cheers,
Barb
Actually, I've just read about Evelyn Waugh's thoughts on this dilemma, as he used many friends and enemies as templates for characters in his novels. He said that no one will mind spotting themselves in a novel if it's made clear that their character is wildly attractive. So if your long-lost ex were to read your novel and recognize himself, but then discover that he's a sex god, he will be chuffed to bits. He may also try to get in touch with you again to give you another dose of his sex god techniques, but that is a different hazard!
Once a story gets going and the characters inhabit it they flesh themselves out naturally.
And will anyone recognize himself in your writing? I can't answer that, but when I was at uni I wrote a few pieces for the student newspaper, as usual not basing any characters on anyone I knew. This did not save me from a confrontation with a friend who was in a rage because I had 'made him look stupid' in one of my stories.
Isn't your issue not so much that you are using real people in your writing so much as that you are using real experiences in your writing? This inevitably must include some portrayal of the real people who shared those experiences with you and will always carry the risk that they will identify themselves in your work, regardless of changing their names and some of their characteristics, because they shared part of the experience with you and know that it's you writing.
In reality personal experience has produced some of the finest work, also a lot of that type of work contains much of the author's own personality. One example, rather than a list, consider Graham Greene.
Finally, placing my tongue firmly in my cheek (as you did), I should say that if an old girlfriend of mine were to portray me as a sex god I would probably offer her book a glowing endorsement.
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