Oct 27th

GeroniNaNoWriMo

By PaD
NaNoWriMo

Next month is surprisingly enough, November, so I've decided to become one of those barmy masochists who subject themselves to bashing out 50,000 words in 30 days, lest they condemn themselves to literary obscurity.

Why am I doing this? Because my creative writing needs a kick up the backside, because if I surround myself with fellow sufferers, some mutual motivation will surely spring and things will get written. If those words amount to anything of any substance, that's a bonus.

If you're of a similar mental frailty, you can register at www.nanowrimo.org There are well established local groups and a friendly mix of ages and experiences on the forums. The Birmingham group will meet every Saturday in the Coffee Lounge, Navigation Street, for write-ins and general consolation. Hopefully there are a couple of us forming a Lichfield sub-group too.

GeroniNaNoWriMo...!
Jul 15th

Letting it stew - for nearly two years!

By tegels
Just looked back on the stuff I wrote for NaNoWrimo in 2008.  Eeek!  I had a good idea of what I was going to write, but didn't worry about the prose or anything.  That's what NaNo is all about - get that 50,000 down in a month, no matter what.  But it shows.  Because I wanted the wordage, I didn't use any contractions whatsoever, except in speech, for example.  Makes it look very ponderous.

Because I wrote it a while back, I could hardly remember any of the scenes, so it all seemed rather fresh, and it was easy to pick out the gaffs. There's loads I want to change, but there is the kernal of an actual story there.  So, in a way, I'm quite pleased.  But there's loads of work to do on it.  And I might even change it from 1st person to 3rd!  Heavens, what is the world coming too?
Oct 3rd

Lonely, obsessive and slightly nuts. And that's a bad thing?

By EmmaD

Autumn does seem to have arrived, doesn't it? And it's not just the weather and the plum jam-and-crumpets; across the aspiring writer world, the first thing that's asked once the sand's been shaken out of the beach towels, and the piles of post and pizza menus combed for those dishearteningly fat SAEs, is, 'Are you doing NaNoWriMo this year?

NaNoWriMo, for the unintiated, is National Novel Writing Month. The idea is that those who sign up spend November writing, furiously, towards the standard goal of a 50,000 word novel. The website makes no bones about the focus of the whole thing: "the ONLY thing that matters in NaNoWriMo is output. It's all about quantity, not quality." The website also has busy, supportive forums, places to track and/or post your wordcount, and post some or all of your novel. In NaNoWriMo's home, the US, there's even schools-based Young Writers programme. On November 3rd a great many aspiring writers decide it's not for them, but at midnight on November 30th, a great many other, baggy-eyed, hysterical, triumphant NaNo-ers bow their heads to the smoking keyboard, listen to the shrieks going up from the forums, and wait to receive a downloadable certificate of achievement. 

And, as Autumn follows Summer, if there's a slow news day on the literary pages, a journalist will ring up a big-name agent or publisher or author or six, and say, 'Can you write a good novel in a month?' and the agents or publishers will say, 'No.' And the writers will say, 'No. You can't write any novel in a month. Writing's all in the re-writing, the long hard slog, the professionalism and the craft. You don't understand; it's not just about doing a bit of sitting down and scribbling.' 

I think agents and publishers say that because they dread the slush that's going to pour through the door around 15th December (you need two weeks to sort out the stamps and covering letters), but I think it's also because many of them don't understand how the process of writing works. And the authors certainly say that because it's true, and because every single one of us is sick to death of people saying at parties that they've always wanted to write a novel, but just don't have the time to sit down. (It's right up there with, 'Hoping to be the next J K Rowling, eh?' for inducing homicidal thoughts. Pray it's a finger buffet, not something involving steak knives: though I'll give evidence in court in your defence if you need me to.)

So I ought to be agreeing with them, and I do, sort of. On the other hand, I know several writers whose published novels started life as a NaNo project. Which just goes to show that it depends what you mean by 'Write', 'Good,' 'Novel' and 'No.' True, 50,000 is too short for pretty much any adult novel to find a publisher these days. But what do you mean by 'Write'? If we're talking publishable, then 'No' stands. But the key to it all is a bit further down in the NaNo FAQ's:

The kamikaze approach forces you to lower your expectations, take risks, and write on the fly. Make no mistake: You will be writing a lot of crap. And that's a good thing. By forcing yourself to write so intensely, you are giving yourself permission to make mistakes. To forgo the endless tweaking and editing and just create. To build without tearing down.

In other words, thinking quantity, not quality, disarms your Inner Critic: who cares if it's not perfect? 'Write' in this sense just means Shitty First Draft, and if we're in that territory, then 'Good' is beside the point. Good comes later. For now, just keep going! Never mind if your friends are all down the pub, it's only a month, they'll know you love them again before Christmas. Forgotten a character's name/hair-colour/psychopathic tendencies? No time to look back, make a note, keep going. And then on November 30th you look up and find you have a story: it has characters who talk and walk. Sometimes they surprised you, but you didn't have time to argue, you just followed where they seemed to be going. It uses words you'd forgotten you knew, peculiar relatives you spend most of your life avoiding, a deeply frightening thing that happened when you were twelve, and you never told anyone. It has a shape, a beginning, a middle and -- well, you didn't quite make the end of the story but now you know how it needs to go, and there's the Christmas holidays to finish it. And if it's going to end like that, then that bit at the beginning will need a bit of a re-think, but that's okay. And the middle bit, when you'd really got into your stride, now that really is Good, even though you weren't trying to do good writing. Maybe because you weren't trying to do good writing...

No, the vast, vast, vast majority of what's written won't get anywhere near a publishing contract. I suspect NaNoWriMo shows a lot of people that the life of an aspiring writer (which is the necessary prelude to that contract) isn't for them, and in human terms that's as positive a result as being shown that it is. But either way, there's human value in knowing that all round the world, others are going through it too. Writers are by nature solitary: all too often they're also lonely, obsessive and slightly nuts. NaNoWriMo takes all those characteristics, and makes them make sense. If I wasn't up to my neck in other stuff, I'd be sorely tempted to join in.

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